Walters, D.; Daley, C. ‘Enhancing Institutional Publication Data Using Emergent Open Science Services.’ Publications , Vol. 6, No.2, 23 (2018). DOI: https://doi.org/10.3390/publications6020023
‘Nuclear Narratives: Editor’s Introduction’, Alluvium, Vol. 5, No. 3 (2016): n. pag. Web. 29 July 2016. DOI: http://dx.doi.org/10.7766/alluvium.v5.3.04
‘Railways and Fiction,’ Alluvium, Vol. 2, No. 1 (2013): n. pag. Web. 12th January 2013. DOI: http://dx.doi.org/10.7766/alluvium.v2.1.04
‘On Nuclear Criticism,’ Alluvium, Vol. 1, No. 2 (2012): n. pag. Web. 1st July 2012. DOI: http://dx.doi.org/10.7766/alluvium.v1.2.04
Chapters in Edited Collections
‘The Not so Cosy Catastrophe: Re-Imagining the British Disaster Novel in J.G. Ballard’s The Drowned World and Brian Aldiss’ Barefoot in the Head’, in Apocalyptic Discourse in Contemporary Culture: Post-Millennial Perspectives of the End of the World, edited by Monica Germana and Aris Mousoutzanis (London and New York: Routledge, 2014), pp. 133-147. Available online: http://bura.brunel.ac.uk/handle/2438/13489
‘“The landscape is coded”: J.G. Ballard’s Early Fiction and Visual Culture’, in Alternative Worlds: Blue-Sky Thinking Since 1900, edited by Ricarda Vidal and Ingo Cornils (Oxford and New York: Berghahn, 2014), pp. 147-164. Available online: http://bura.brunel.ac.uk/handle/2438/13490
‘Case Studies in Reading 1: Key Primary Literary Texts’, in The Science Fiction Handbook, edited by Nick -Hubble and Aris Mousoutzanis (London and New York: Bloomsbury, 2013), pp. 75-99.
Review of Daniel Cordle’s article ‘Protect/Protest: British Nuclear Fiction of the 1980s.’ Journal of Literature and Science, Vol. 6 Issue 1 (2013), pp.74 – 75. DOI: http://dx.doi.org/10.12929/jls.06.1.05
Review of Jonathan Hogg’s article ‘“The family that feared tomorrow”: British Nuclear Culture and Individual Experience in the late 1950s.’ Journal of Literature and Science, Vol. 6 Issue 1 (2013), pp. 76 – 77. DOI: http://dx.doi.org/10.12929/jls.06.1.06
Peer reviewing and editorial roles
Peer reviewer for the journal Literary Geographies.
Editor of special issue of the journal Alluvium entitled ‘Nuclear Narratives’ (Vol. 5 No. 3, 2016).
‘Brunel’s 10 Year Journey Towards Open Scholarship: Measuring ‘Openness’ Over Managing Mandates.’ Co-authored with David Walters. Blog post for Hindawi, 26th October 2016. Available online: http://about.hindawi.com/opinion/brunels-10-year-journey-towards-open-scholarship-measuring-openness-over-managing-mandates/
‘“Measuring” and Managing Mandates.’ Co-authored with David Walters. Blog post for CORE, 7th July 2016. Available online: https://blog.core.ac.uk/2016/07/07/measuring-and-managing-mandates/
Conference Papers/Seminar Papers/Invited Talks
‘Measuring Openness Over Managing Mandates.’ With David Walters. Lightning talk at UKSG Annual Conference 2017. Harrogate, 10-12th April 2017. Video online: https://www.youtube.com/watch?v=7xJ9DZUmFiI
‘Towards Open Scholarship: Measuring Openness over Managing Mandates.’ With David Walters. Speed presentation at RLUK 17. British Library, London, 9th March 2017. Video online: https://www.youtube.com/watch?v=QIIBZgHvHOc
‘Cricket, Class and Culture: Assessing the game in England.’ Invited lecture delivered at Harlaxton College, Lincolnshire, 16th November 2015. DOI: https://dx.doi.org/10.6084/m9.figshare.4217250.v2
‘Open for Collaboration: An Introduction to Open Scholarly Communication Practices.’ With David Walters and Carolyn Kirby. Online webinar, 21st October 2015.
‘Defining Science Fiction.’ Invited talk to accompany a roundtable discussion entitled Things to Come at Birkbeck, University of London, 6th May 2015.
‘From Punk to Brit Pop.’ Invited lecture delivered to students at Boston University London Programme, 14th April 2015.
‘Paranoid Styles: Michael Moorcock’s New Worlds and the Technology of the Cold War.’ The Science Fiction ‘New Wave’ at Fifty Conference, University of East Anglia, 31st May 2014.
‘“Too many machines”: British Science Fiction Film and Television of the 1950s.’ English Literature and Culture Research Seminar Series, University of Westminster, 17th October 2012.
‘From The Wind From Nowhere to The Drowned World: J. G. Ballard and Catastrophe Fiction.’ Science Fiction Study Day, British Library, 16th September 2011.
‘Assessing the Cosy-Catastrophe: John Christopher’s The Death of Grass and the English Disaster Narrative.’ Current Research in Speculative Fiction Conference, University of Liverpool, 18th June 2011.
‘“The landscape is coded”: J.G. Ballard’s Early Fiction and Visual Culture.’ Alternative Worlds Seminar Series, Institute of Germanic and Romance Studies, University of London, 15th June 2011.
‘Technology, Ecology, Apocalypse: John Wyndham’s The Day of the Triffids and John Christopher’s The Death of Grass.’ English Research Forum, Royal Holloway, University of London, 27th April 2010.